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All properties in the borough were claimed under eminent domain by the Commonwealth of Pennsylvania in 1992 (and all buildings therein were condemned), and Centralia's ZIP code was revoked by the Postal Service in 2002. A few residents continue to reside there in spite of the failure of a lawsuit to reverse the eminent domain claim.
The piece takes the form of an extended vamp, with individual instruments (mostly the tenor saxophones and organ) improvising brief licks on top. Brown's ad-libbed vocals on "Funky Drummer" are sporadic and declamatory, and are mostly concerned with encouraging the other band members.
As in the full-length version of "Cold Sweat" he announces the upcoming drum break, which comes late in the recording, with a request to "give the drummer some." He tells Stubblefield "You don't have to do no soloing, brother, just keep what you got... Don't turn it loose, 'cause it's a mother." Stubblefield's eight-bar unaccompanied "solo", a version of the riff he plays through most of the piece, is the result of Brown's directions; this break beat is one of the most sampled recordings in music.
After the drum break, the band returns to the original vamp. Brown, apparently impressed with what Stubblefield has produced, seems to name the song on the spot as it continues, and repeats it: "The name of this tune is 'The Funky Drummer', 'The Funky Drummer', 'The Funky Drummer'." The recording ends with a reprise of Stubblefield's solo and a fade-out.
A meteorite is a meteoroid (a solid piece of debris from such sources as asteroids or comets) originating in outer space that survives impact with the Earth's surface. A meteorite's size can range from small to extremely large. Most meteorites derive from small astronomical objects called meteoroids, but they are also sometimes produced by impacts of asteroids. When a meteoroid enters the atmosphere, frictional, pressure, and chemical interactions with the atmospheric gasses cause the body to heat up and emit light, thus forming a fireball, also known as a meteor or shooting/falling star. The term bolide refers to either an extraterrestrial body that collides with the Earth, or to an exceptionally bright, fireball-like meteor regardless of whether it ultimately impacts the surface.
More generally, a meteorite on the surface of any celestial body is a natural object that has come from elsewhere in space. Meteorites have been found on the Moon and Mars. Meteorites that are recovered after being observed as they transited the atmosphere or impacted the Earth are called falls. All other meteorites are known as finds. As of February 2010, there are approximately 1,086 witnessed falls having specimens in the world's collections. In contrast, there are over 38,660 well-documented meteorite finds.
Meteorites have traditionally been divided into three broad categories: stony meteorites are rocks, mainly composed of silicate minerals; iron meteorites are largely composed of metallic iron-nickel; and, stony-iron meteorites contain large amounts of both metallic and rocky material. Modern classification schemes divide meteorites into groups according to their structure, chemical and isotopic composition and mineralogy. Meteorites smaller than 2mm are classified as micrometeorites.
Fortino Mario Alfonso Moreno Reyes, although he called himself Mario Moreno, (August 12, 1911 – April 20, 1993), was a Mexican comic film actor, producer, and screenwriter known professionally as Cantinflas. He often portrayed impoverished campesinos or a peasant of pelado origin. The character came to be associated with the national identity of Mexico, and allowed Cantinflas to establish a long, successful film career that included a foray into Hollywood. Charlie Chaplin once commented that he was the best comedian alive, and Moreno has been referred to as the "Charlie Chaplin of Mexico". To audiences in the United States, he is best remembered as co-starring with David Niven in a Golden Globe Award-winning role in the 1956 film Around the World in 80 Days.
As a pioneer of the cinema of Mexico, Moreno helped usher in its golden era. In addition to being a business leader, he also became involved in Mexico's tangled and often dangerous labor politics. Although he was a political conservative, his reputation as a spokesperson for the downtrodden gave his actions authenticity and became important in the early struggle against charrismo, the one-partygovernment's practice of co-opting and controlling unions.
Moreover, his character Cantinflas, whose identity became enmeshed with his own, was examined by media critics, philosophers, and linguists, who saw him variably as a danger to Mexican society, a bourgeois puppet, a kind philanthropist, a transgressor of gender roles, a pious Catholic, a verbal innovator, and a picaresque underdog.
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