
The
Vasari Corridor is an elevated enclosed passageway in
Florence, central
Italy, which connects the
Palazzo Vecchio with the
Palazzo Pitti. Beginning on the south side of the Palazzo Vecchio, it then joins the
Uffizi Gallery and leaves on its south side, crossing the Lungarno dei Archibusieri and then following the north bank of the
River Arno until it crosses the
Ponte Vecchio. At the time of construction the
Torre dei Mannelli had to be built around using brackets because the owners of the tower refused to alter it. The corridor covers up part of the façade of the chiesa di Santa Felicità. The corridor then snakes its way over rows of houses in the
Oltrarno district, becoming narrower, to finally join the
Palazzo Pitti. Most of it is closed to visitors.
The Vasari Corridor was built in 5 months by order of Grand Duke
Cosimo I de' Medici in 1564, to the design of
Giorgio Vasari. It was commissioned in connection with the marriage of Cosimo's son,
Francesco, with
Johanna of Austria. The idea of an enclosed passageway was motivated by the Grand Duke's desire to move freely between his residence and the government palace, when, like most monarchs of the period, he felt insecure in public, in his case especially because he had replaced the
Republic of Florence. The meat market of Ponte Vecchio was moved to avoid its smell reaching into the passage, its place being taken by the goldsmith shops that still occupy the bridge. At the latter extremity, the corridor was forced to pass around the Mannelli's Tower, after the staunch opposition of that family to its destruction.
In the middle of Ponte Vecchio the corridor is characterized by a series of panoramic windows facing the Arno, in direction of the Ponte Santa Trinita. These replaced the smaller windows of the original construction in 1939, by order of Benito Mussolini.
After the Ponte Vecchio the Corridor passes over the loggiato of the church of Santa Felicita; at that point it had a balcony, protected by a thick railing, looking into the interior of the church, in order to allow the Grand Duke's family to follow services without mixing with the populace.
In its Uffizi section the Vasari Corridor is used to exhibit the museum's famous collection of self-portraits.