Bastille Day

Bastille Day is the French national holiday which is celebrated on 14 July each year. In France, it is formally called La Fête Nationale (The National Celebration) and commonly le quatorze juillet (the fourteenth of July).

It commemorates the 1790 Fête de la Fédération, held on the first anniversary of the storming of the Bastille on 14 July 1789; the anniversary of the storming of the Bastille fortress-prison was seen as a symbol of the uprising of the modern nation, and of the reconciliation of all the French inside the constitutional monarchy which preceded the First Republic, during the French Revolution. Festivities are held on the morning of 14 July, on the Champs-Élysées avenue in Paris in front of the President of the Republic.

Winnebago Man

Winnebago Man is a 2009 American documentary feature film directed by Ben Steinbauer that follows the Internet phenomenon created by a series of twenty-year-old outtakes from a Winnebago sales video featuring profane outbursts from the salesperson, Jack Rebney. Originally intended as an inside joke, the video spread across the globe first on VHS tape then via YouTube and other online video sites, earning the salesman the title of "The Angriest Man in the World". The documentary explores the story of the clip’s origin and how, two decades later, it affects the man who never even knew it existed.

The film premiered at The South by Southwest Film Festival in Austin, Texas on March 14, 2009, and opened theatrically on July 9, 2010 at the Landmark Sunshine Cinema in New York, before expanding nationally.

A sixty minute version of Winnebago Man was aired in the UK on BBC Four on August 30, 2010 as part of the Storyville series of documentaries.

The documentary starts with Steinbauer's obsession with a widely circulated viral video featuring outtakes from an RV commercial shoot, centered around a cantankerous pitchman who regularly becomes outraged and flustered, cursing in colorful mannerisms. Steinbauer researches the video, and discovers that it had been circulating on VHS long before it appeared on the Internet.

Steinbauer ultimately tracks down the infamous "Winnebago Man": Jack Rebney. Steinbauer visits Rebney at his home in a remote mountain area in California. Steinbauer is surprised to find Rebney to be calm, congenial, and very articulate -- in contrast to his reputed ornery manner. Rebney at first claims ignorance about his own popularity on the Internet. Steinbauer returns home somewhat disappointed.

Later, Rebney begins contacting Steinbauer. He admits that he has always been aware of the video and its notoriety, and is petulant over it. Rebney expresses deep bitterness about the current (2005-2007) state of affairs in America. Steinbauer discovers that Rebney was once an accomplished news broadcaster, and that Rebney still wishes for his political opinions to be heard. Rebney invites Steinbauer for a second visit.

Shortly afterward, local papers report that Rebney has gone missing for some time. After he is safely returned home, Rebney reports the ordeal to Steinbauer. When Steinbauer makes his second visit to Rebney's home, Rebney explains that he is now blind.

Despite Rebney's cantankerous (albeit articulate) protests, Steinbauer takes him to the Found Footage Festival in San Francisco. There, fans have lined up for a sold-out screening of the original videos featuring Rebney. The fans describe Rebney's positive impact on them. During the screening, the Festival organizers invite Rebney on stage as a special guest, where he wittily engages the audience. After the screening, Rebney meets several fans who request autographs and express to him how viewing the old footage cheers them up after a hard day.

Later that night, Rebney muses to an old friend that, counter to his expectations, his fans are "clever, quick, observant people."

The next day, the filmmakers and Rebney's friend drive him back home. There, Rebney's friend tells him, "You made a lot of people happy this weekend." Rebney replies by acknowledging that he takes some small degree of pride in how, for many people, he represents the human condition in the face of adversity.

Osceola

Osceola was an influential leader with the Seminole in Florida. Osceola led a small band of warriors in the Seminole resistance during the Second Seminole War when the United States tried to remove the Seminoles from their lands.

Osceola was named Billy Powell at birth in 1804 in the village of Tallassee, Alabama around current Macon County. His mother Polly Coppinger was daughter of Ann McQueen, who was part Muscogee and part Scottish. Many sources, including the Seminole, state that Osceola's father was an English trader William Powell.

In 1832, a few Seminole chiefs signed the Treaty of Payne's Landing, by which they agreed to give up their Florida lands in exchange for lands west of the Mississippi River. Five of the most important of the Seminole chiefs, including Micanopy of the Alachua Seminoles, did not agree to the move. In retaliation, Native American agent Wiley Thompson declared that those chiefs were removed from their positions. As relations with the Seminoles deteriorated, Thompson forbade the sale of guns and ammunition to the Seminoles. Osceola, a young warrior beginning to rise to prominence, was particularly upset by the ban, as he felt it equated Seminoles with slaves.

In spite of this, Thompson considered Osceola to be a friend, and gave him a rifle. Later, though, when Osceola quarreled with Thompson, Thompson had him locked up at Fort King for a night. The next day, to get released, Osceola agreed to abide by the Treaty of Payne's Landing and to bring his followers in. On December 28, 1835 Osceola and his followers ambushed and killed Wiley Thompson and six others outside of Fort King.

On October 21, 1837, on the orders of U.S. General Thomas Sidney Jesup, Osceola was captured when he arrived for supposed truce negotiations in Fort Payton. He was imprisoned at Fort Marion, St. Augustine, Florida. Osceola's capture by deceit caused a national uproar. General Jesup and the administration were condemned. That December, Osceola and other Seminole prisoners were moved to Fort Moultrie, South Carolina. They were visited by townspeople.

George Catlin and other prominent painters met him and persuaded him to pose. Robert J. Curtis painted an oil portrait of Osceola as well. These pictures inspired a number of other prints, engravings, and even cigar store figures. Afterward numerous landmarks, including Osceola Counties in Florida, Iowa, and Michigan, were named after him, along with Florida's Osceola National Forest.

Osceola died of malaria on January 30, 1838, less than three months after his capture. He was buried with military honors at Fort Moultrie.

Werribee Park

Werribee Park is the estate of a historical building in Werribee, Victoria, Australia. It includes Werribee Park Mansion, the Victorian State Rose Garden, formal gardens, the Werribee Park National Equestrian Centre, the Werribee Open Range Zoo, a contemporary sculpture walk and a natural riverine which is being grown with the plants of the Kurung Jang Balluk clan who lived on Werribee River. There is also the Mansion Hotel and Conference Centre. The Park was purchased by the Victoria State Government in 1973. It was opened as a tourist attraction in 1977. It is run by Parks Victoria.
Werribee Park Mansion was built by pastoralists Andrew Chirnside and Thomas Chirnside between 1874 and 1877 in the Italianate style. Its residential and working buildings supported a large farm workforce. The rooms open to the public include the billiardroom, the main bedrooms, the reception rooms and part of the kitchen. When Thomas Chirnside committed suicide, some of the property was passed on to George Chirnside, thus building the Manor in the 1890s. From 1923 to 1973, the Mansion was a Catholic seminary, Corpus Christi College. The wings which are now the Mansion Hotel were added during that period. In 1996, episodes, set in England, of The Genie From Down Under TV series were shot at the mansion. Also most rooms in the house were used for an American based movie called, "The Pirate Movie" starring Kristy McNichol and The Blue Lagoon's Christopher Atkins.
In December 2007, the Werribee Park Mansion hosted an Elton John concert as part of his Rocket Man Solo Tour.
Once a year the Werribee Mansion Grounds are used to hold the Werribee Christmas carols.

I Was Kaiser Bill's Batman

"I Was Kaiser Bill's Batman" was a hit single in the U.K. in 1967 composed by Roger Cook and Roger Greenaway. It was a novelty record, being performed mostly by whistling. This was credited to Whistling Jack Smith and Billy Moeller appeared under this name, though the whistling was really performed by John O'Neill, provided as a session musician by The Mike Sammes Singers.

Mare

A mare or nightmare is a spirit or goblin in Germanic folklore which rides on people's chests while they sleep, bringing on bad dreams (or "nightmares"). The mare is attested as early as in the Norse Ynglinga saga from the 13th century, but the belief itself is likely to be considerably older. As in English, the name appears in the word for "nightmare" in the Nordic languages. The mare is similar to the mythical creatures succubus and incubus, and was likely inspired by sleep paralysis.

The mara was also believed to "ride" horses, which left them exhausted and covered in sweat by the morning. She could also entangle the hair of the sleeping man or beast, resulting in "marelocks", called marflätor "mare-braids" or martovor "mare-tangles" in Swedish. The belief probably originated as an explanation to the Polish plait phenomena, a hair disease. Even trees could be ridden by the mara, resulting in branches being entangled. The undersized, twisted pine-trees growing on coastal rocks and on wet grounds are known in Sweden as martallar "mare-pines."

Cardiff Giant

The Cardiff Giant was one of the most famous hoaxes in United States history. It was a 10-foot
tall purported "petrified man" uncovered on October 16, 1869 by workers digging a well behind the barn of William C. "Stub" Newell in Cardiff, New York. Both it and an unauthorized copy made by P.T. Barnum are still on display.
The giant was the creation of a New York tobacconist named George Hull. Hull, an atheist, decided to create the giant after an argument at a Methodist revival meeting about the passage in Genesis 6:4 stating that there were giants who once lived on Earth.
The idea of a petrified man did not originate with Hull, however. In 1858 the newspaper Alta California had published a bogus letter claiming that a prospector had been petrified when he had drunk a liquid within a geode. Some other newspapers also had published stories of supposedly petrified people.
Hull hired men to carve out a 10-foot (3.0 m) long, 4.5-inch block of gypsum in Fort Dodge, Iowa, telling them it was intended for a monument to Abraham Lincoln in New York. He shipped the block to Chicago, where he hired a German stonecutter to carve it into the likeness of a man and swore him to secrecy.
Various stains and acids were used to make the giant appear to be old and weathered, and the giant's surface was beaten with steel knitting needles embedded in a board to simulate pores. In November 1868 then Hull transported the giant by rail to the farm of William Newell, his cousin. By then, he had spent US$2,600 on the hoax.
Nearly a year later, Newell hired Gideon Emmons and Henry Nichols, ostensibly to dig a well, and on October 16, 1869 they found the giant. One of the men reportedly exclaimed, "I declare, some old Indian has been buried here!"
Newell set up a tent over the giant and charged 25 cents for people who wanted to see it. Two days later he increased the price to 50 cents. People came by the wagon load.
Archaeological scholars pronounced the giant a fake, and some geologists even noticed that there was no good reason to try to dig a well in the exact spot the giant had been found. Yale palaeontologist Othniel C. Marsh called it "a most decided humbug". Some Christian fundamentalists and preachers, however, defended its authenticity.
Eventually, Hull sold his part-interest for $23,000 to a syndicate of five men headed by David Hannum. They moved it to Syracuse, New York for exhibition. The giant drew such crowds that showman P. T. Barnum offered $50,000 for the giant. When the syndicate turned him down he hired a man to model the giant's shape covertly in wax and create a plaster replica. He put his giant on display in New York, claiming that his was the real giant and the Cardiff Giant was a fake.
As the newspapers reported Barnum's version of the story, David Hannum was quoted as saying, "There's a sucker born every minute" in reference to spectators paying to see Barnum's giant. Over time, the quotation has been misattributed to Barnum himself.
Hannum sued Barnum for calling his giant a fake, but the judge told him to get his giant to swear on his own genuineness in court if he wanted a favorable injunction.
On December 10, Hull confessed to the press. On February 2, 1870 both giants were revealed as fakes in court. The judge ruled that Barnum could not be sued for calling a fake giant a fake.
The Cardiff Giant appeared in the 1901 Pan-American Exposition, but did not attract much attention. An Iowa publisher bought it later to adorn his basement rumpus room as a coffee table and conversation piece. In 1947 he sold it to the Farmers' Museum in Cooperstown, New York, where it is still on display. The owner of Marvin's Marvelous Mechanical Museum, a coin-operated game arcade and museum of oddities in Farmington Hills, Michigan, claims that the replica on display there is Barnum's replica. The Farmer's Museum booklet about its artifact used to tease the public by citing an authority who questioned the conclusion that it was a fraud.

Evergreen Review

Evergreen Review is a U.S.-based literary magazine founded by Barney Rosset, publisher of Grove Press. It existed in print from 1957 through 1973, and was re-launched online in 1998. Its diversity can be seen in the March-April 1960 issue, which included work by Albert Camus, Lawrence Ferlinghetti, Bertolt Brecht and LeRoi Jones, as well as Edward Albee's first play, The Zoo Story. The Camus piece was a reprint of "Reflections on the Guillotine", first published in English in the Review in 1957 and reprinted on this occasion as the magazine's "contribution to the world-wide debate on the problem of capital punishment and, more specifically, the case of Caryl Whittier Chessman."

Evergreen Review debuted pivotal works by Samuel Beckett, Jorge Luis Borges, Charles Bukowski, William S. Burroughs, Marguerite Duras, Jean Genet, Allen Ginsberg, Günter Grass, Jack Kerouac, Norman Mailer, Henry Miller, Pablo Neruda, Vladimir Nabokov, Frank O’Hara, Kenzaburo Oe, Octavio Paz, Harold Pinter, Susan Sontag, Tom Stoppard, Derek Walcott and Malcolm X. United States Supreme Court Justice William O. Douglas wrote a controversial piece for the magazine in 1969. Kerouac and Ginsberg regularly had their writing published in the magazine.

Although primarily a literary magazine, Evergreen Review always contained numerous illustrations. In its early years, these included a small number of cartoons, including a serialized graphic novel, The Adventures of Phoebe Zeit-Geist by writer Michael O'Donoghue and artist Frank Springer.

The original Evergreen Review ceased publication in 1973, but the magazine was revived in 1998 in an online edition edited by founder Barney Rosset and his wife Astrid Myers. The online edition features flashbacks to previous Evergreen Review editions, as well as debuts by contemporary writers such as Dennis Nurkse and Giannina Braschi. Many issues are currently available online.

Pelvis

In human anatomy, the pelvis is the part of the trunk inferioposterior (below-behind) to the abdomen in the transition area between the trunk (torso) and the lower limbs (legs). The term is used to denote several structures:

1. The pelvic girdle or bony pelvis, the irregular ring-shaped bony structure connecting the spine to the femurs (thigh bones),
2. The pelvic cavity, the space enclosed by the pelvic girdle,
3. The pelvic region.

"Pelvis" is the Latin word for a "basin" and the pelvis thus got its name from its shape. It is also known as hip girdle or coxa girdle.

In the adult human, the pelvis is formed in the posterior dorsal (back) by the sacrum and the coccyx (the caudal part of the axial skeleton), and laterally and anteriorly by a pair of hip bones (part of the appendicular skeleton or lower extremity). In an adult, the pelvis is thus composed of three large bones plus the coccyx (3-5 bones). However, before puberty each hip bone consists of three separate bones yet to be fused — the ilium, ischium, and pubis. Thus, before puberty the pelvis can consist of more than ten bones, depending on the composition of the coccyx.

Grindcore

Grindcore is a genre of music that started in the early- to mid-1980s. It draws inspiration from some of the most abrasive music genres – including death metal, industrial music, noise and the more extreme varieties of hardcore punk.

Grindcore is characterized by heavily distorted, down-tuned guitars, high speed tempi, blast beats, and vocals which consist of growls and high-pitched screams. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.

An infamous trait of grindcore is the "microsong". Several bands have produced songs that are only seconds in length. British band Napalm Death holds the Guinness World Record for shortest song ever recorded with the one-second "You Suffer" (1987). Many bands record simple phrases that may be rhythmically sprawled out across an instrumental lasting only a couple of bars in length.

A variety of "microgenres" have subsequently emerged, often used to label bands according to alternative traits that deviate from standard grindcore, including goregrind, focused on themes of gore, and pornogrind, fixated on pornographic lyrical themes. Other offshoots include noisegrind (especially raw and chaotic) and electrogrind (incorporating electronic elements). Although an influential phenomenon on hardcore punk and other popular genres, grindcore itself remains an underground form of music.