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Name lived and worked at the Factory, having taken up residence in a closet at the back of the studio, at 231 East 47th Street. With the gift of Warhol's 35 mm single-lens reflex Honeywell Pentax camera, along with its operating manual, Name taught himself the technical aspects of photography. He converted one of the Factory bathrooms into a darkroom, where he mastered methods of processing and developing film. These newly acquired skills, combined with his background in lighting and experimental approach to his work, resulted in a body of work which captured the "silver years" at the Factory (1963–70).
Name's close friendship with Andy Warhol and his role in creating Warhol's artistic environment provided him with a unique perspective of the Factory, with a particular focus on a core group of "superstars", who largely improvised before the camera. Name's understanding of theater and lighting was an important influence on the look and ambience of The Factory and of Warhol's early films.
In 2001, the United States Postal Service used one of Billy Name's portraits of Warhol when it issued a commemorative stamp of the artist.
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