Eno enlisted sixteen guest musicians to play on the album with him, including John Wetton and Robert Fripp of King Crimson, Simon King from Hawkwind, Bill MacCormick of Matching Mole, Paul Rudolph of Pink Fairies, and all the members of Roxy Music except vocalist Bryan Ferry. Eno selected them on the basis that he thought they were incompatible with each other musically.[9] He stated that he "got them together merely because I wanted to see what happens when you combine different identities like that and allow them to compete.... [The situation] is organized with the knowledge that there might be accidents, accidents which will be more interesting that what I had intended".[9]
Eno directed the musicians by using body language and dancing, as well as through verbal suggestion, to influence their playing and the sounds they would emit. He felt that this was a good way to communicate with musicians at the time.[14] The album credits Eno with instruments such as "snake guitar", "simplistic piano" and "electric larynx". These terms were used to describe the sound's character or the means of production used to treat the instruments.[9] After recording the individual tracks, Eno condensed and mixed the instrumentation deeply, resulting in some of the tracks bearing little resemblance to what the musicians recorded during the session.[14]
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