The film is a satire of suburban life involving divorce, abortion, adultery, alcoholism, foot fetishism, and the Religious Right.
Polyester was meant as a send-up of “women’s pictures,” an exploitative genre of film that was popular from the 1950s-60s and typically featured bored, unfulfilled, or otherwise troubled women, usually middle-aged suburban housewives, finding release or escape through the arrival of a handsome younger man. “Women’s pictures” were typically hackneyed B-movies, but Waters specifically styled Polyester after the work of the director Douglas Sirk, making use of similar lighting and editing techniques, even using film equipment and movie-making techniques from Sirk's era.
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