RAW was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
RAW featured a mix of American and European contributors (including some of Spiegelman's students at the School of Visual Arts), as well as various contributors from other parts of the world, including the Argentine duo of José Muñoz and Carlos Sampayo, the Congolese painter Cheri Samba, and several Japanese cartoonists known for their work in Garo.
The first eight issues of RAW (Volume 1), published by Mouly and co-edited by Mouly and Spiegelman, were printed in black-and-white in an enormous, doormat-sized magazine format with a stapled binding. These were usually hand-assembled by Mouly's and Spiegelman's friends, and often packaged very creatively.
The final three issues of RAW (Volume 2) were printed in a 'digest' or 'paperback' format with a mixture of full-color and black-and-white pages, some of which were printed on differing paper stock. They featured longer stories that focused more on narrative than bold graphic experiments. These issues were published by Penguin Books.